Scott Pilgrim vs. the World: The Game - Complete Edition, MXGP 2020 - The Official Motocross Videogame, Night Stalker: The Hunt for a Serial Killer. There are moments of sudden, gory violence, all with no value. This movie was so absolutely boring I didn’t even wait to get to the end. The Irishman is an epic saga of organized crime in post-war America told through the eyes of World War II veteran Frank Sheeran (Robert De Niro), a hustler and hitman who worked alongside some of the most notorious figures of the 20th Century. The 16-minute, $70-million film was bankrolled by a Chinese casino. I've loved Scorsese movies for decades. Actors aren’t Benjamin Button: they can’t age in reverse, and maybe it’s vanity to think you can convince us otherwise in the context of a drama with an ostensibly human focus. This movie made me feel like a potato because the plot makes no kinda sense which was so dumb and disappointing but I have it a point because of the dialogue potential. Nothing new in the typical mob story here. Unless you're predisposed to unconditionally and indiscriminately love just about anything by Team Scorcese/DeNiro/Pacino, you'll be disappointed in The Irishman. I wanted love this, but honestly it was hard to watch Deniro & Pesci personally act out the stories from their past and try to pull off looking,sounding and moving somewhat youthful. After the first 30 or 40 F bombs and MFers it gets a bit tiring. This bloated 3.5 hour film does not. massively overrated, This movie is unbelievably long and dull. My review: The Irishman is part of a dead genre that no one cares about anymore. Poor character development and cohesive story. Simply put, this movie is not for me. A movie that is 210 minutes long, with actors WELL past their prime. Nevertheless, as I watched The Irishman — a film that has received universal acclaim — I felt the contrarian rearing up in me, chafing against the idea that it was an instant classic on par with some of his other certified masterpieces. Posted on Friday, November 29th, 2019 by Joshua Meyer, (Welcome to The Unpopular Opinion, a series where a writer goes to the defense of a much-maligned film or sets their sights on a movie seemingly beloved by all. Yet it's an exquisite-looking movie, with nary an unnecessary move. No way to give spoilers for this movie... Just Another gangster film that takes place over decades the CGI is very bad and almost laughable because you can hear the really ancient actors voicing over themselves as young? Martin Scorsese's exciting, epic-length new crime film, The Irishman, isn’t Goodfellas Light or Goodfellas 2, it is more an inverse Goodfellas. De Niro himself convinced us that he was the young Vito Corleone in The Godfather, Part II (this, despite taking the stage after Marlon Brando, which was no easy feat, back then). I held out a long time before watching it, wife wanted to see it badly and insisted on seeing it all in one sitting, so took a while to find the time. Has extremely no porpuse and may be one of the most overrated movies on this decade only because of it's cast. To paraphrase Casablanca: “The [opinions of a movie blogger] don’t amount to a hill of beans in this crazy world.” Sure, I could tell you what works in The Irishmen. Its the 21st Century. All names, trademarks and images are copyright their respective owners. Instead of dolling up men as women, it trots out performers in viscous young-men makeup. I know some of the critics have applauded the slow pace, the artistry of the photography, but I just don't get that. I can well imagine the thrill of receiving a phone call at ILM from Scorsese, his voice pregnant with the deal-making words, “I heard you paint faces younger.”. We can look on his mighty works, and rejoice. boring unispired redo of goodfellas, which to be frank is far superior. I wanted love this, but honestly it was hard to watch Deniro & Pesci personally act out the stories from their past and try to pull off looking,sounding and moving somewhat youthful. I was fine with them being old, as in their real ages, but as most of the movie reflected to their youth it made it difficult to even absorb the story line while they performed their non-youthful flashbacks. Pesci was understated and magnificent, while DeNiro and Pacino seemed miscast and cartoonish. It would have rescued this movie from expensive CG fakery and filled in a big missing face hole in the reunion pic from Scorsese’s filmography. Slow hard to follow, drawn out. Whatever the case, as an Internet nobody and lifelong Scorsese and De Niro fan, albeit one who’s literally half their age (they’re both 76 and I’m 38), I can only fantasize about what it might have been like if The Irishman had done things the old-fashioned way and brought in Scorsese’s frequent collaborator, Leonardo DiCaprio, to play the young Frank Sheeran. Tried to watch a full hour and yawned more times than i did in a whole year. The ending sucked...and I was just happy to get out of the theater. De Niro, if you’re not acquainted with the particulars of the plot, plays the titular Irishman, Frank Sheeran. They feed directly into its theme, you see. Across five movies with Scorsese, DiCaprio has already carved out a niche as a new 21st-century De Niro of sorts, and he’s an accomplished enough actor that he or another actor of his caliber might have added a more seamless human touch to this movie. 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